Simon Morley

Selected Feature Articles

‘A Difference’, The New Modernism: Deconstructive Tendencies in Modern Art, in Art and Design, Vol.4 No 3-4, 1988 pp. 26–34
‘What is Classicism’, The Classical Sensibility in Contemporary Painting and Sculpture, in Art and Design, Vol. 4 No. 5-6, 1988, p.61-65
‘Barcelona!: Antoni Tàpies’, Art Monthly, 9.1992, p.9-11
‘Robert Ryman’, Art Monthly, 3 1993, p.10-12
‘Merz: Kurt Schwitters’, Art Monthly, 2. 1995, p. 13-15
‘De Kooning:Then and Now’, Art Monthly, 3 1995, p.6-9
‘Brancusi’, Art Monthly, 8-9 1995, p.16-19 - selected for Sirs Renaissance Database
Nolde’s Nationalism’, Art Monthly 12-1, 1995-6, p.7-9
‘Irish Art International’, Art Monthly, 5 1996, p.13-16
‘Yanks: Mark Tobey and Mark Rothko in England’, Art Monthly, 7-8 1996, p.9-14
‘The Colour of Colour: An Interview with Patrick Heron’, Contemporary Art, Winter 1994/5, p. 20-24

Selected Feature Articles

‘Shaping up with Ellsworth Kelly: An Interview’, Tate, Summer 1997, p.22-29
‘Nothing But Monsters: The Animation of Simon Pummell’, Art and Animation, in Art and Design Profile No.53, 1997, p.74-83
‘Abstract Luminism: On Recent British Abstraction, Contemporary Visual Art, No. 16, 1997
‘Structural Implants: Interview with Per Kirkeby’, Tate, Spring 1998, p.48-53
The Friedrich Factor’, Contemporary Visual Art, No.19, 1998, p.26-33
‘The Painted Word’, Contemporary Visual Art, No.23,1998, p.22-27
The Art of Darkness’, Tate, Summer 1999, p.37-39
‘The Narratives of Social Space’, Public Art Journal, Vol.1, No.2, Oct.1999, p.22-23
‘The Wreck of Hope: Painting After Nihilism’, Contemporary Visual Art, No.28, 2000, p.52-56
‘Close Encounters: Artists and the Past’, Tate, Summer 2000, p.52-58