Simon Morley

Catalogue essays

2015

‘The ‘Cogito of Kneading’: Dansaekhwa and Tactile Seeing’, in Keynote Essays from AICA Conference, Korea, 2015

2014

Analytic and Holistic Approaches to Fine Art Education: A Comparative Approach’, Journal of Visual Art Practice, Volume 13, Issue 2, June 2914

CHAPTER NINETEEN

‘Print Matters’, Linda Newington, ex. cat.
‘Made in Light: a Project by Martin Richman’, Tyseley Energy for Waste Facility, Birmingham, PACA, 1997
‘Heavier than Air: Mark Fairnington and Mark Dean, Imperial War Museum, 1998-99
‘Greenhouse Effect’, Serpentine Gallery, 2000
‘Shadows of the Mind: The Science Drawings of Sir Roger Penrose,’ Ruskin Laboratory, Oxford, 2000
‘After: Beth Harland’, The Gallery at Central School of Speech and Drama, 1999
‘A Conversation with Caspar David Friedrich concerning the Recent Paintings of Mark Wright’, Rhodes + Mann, 2000
Sacred and Profane , Mappin Art Gallery, Sheffield, (and tour), 2001
Ian Whittlesea, ‘Platform’ Jerwood Art Space, London, 2003